Music in Film

CRN

23659

Course Number

377

Credits

5

Course Description

Music in Film examines the central role music plays in film art. While this course’s focus is on film music, it also includes an examination of film sound at large, including dialogue, sound design, foley, and sound mixing, to critically engage with the overall sonic ecology of film.

A core objective of this seminar is for students to engage in intentional, critical, analytical audio-viewing of films, both in and out of the classroom. We will do this through the study and application of the methodologies of film music theory, film studies, and music theory analysis. These ideas will be applied to the analysis of film scenes and entire films in a range of styles and genres.

Music in Film also examines the process of film scoring within the broader filmmaking process, to better understand how production effects both the creative and technical aspects of film music. For example, by studying spotting (the placement of individual cues in a film), we can better analyze where music exists in scenes, and understand how that music functions.

For the final project, students will re-score 2-3 scenes from existing films, using preexisting music from other films (or creating their own music, if they choose). No experience is required with composing or film editing!

Prerequisites

FAIR 201 (Or instructor approval)

Materials Fee

50.00

Required Texts

• Kathryn Kalinak- Film Music: A Very Short Introduction, 2nd ed. (Oxford University Press)
• Additional chapters and articles will be provided on Canvas (Sikov: Film Studies- an Introduction; Cooke: A History of Film Music; Sonnenschein: Sound Design- The Expressive Power of Music, Voice and Sound Effects in Cinema; Davies: The Complete Guide to Film Scoring; and more)

Credit/Evaluation

• Students will need to complete reading and viewing assignments for every class meeting.
• Students will need to successfully apply this knowledge through active participation in class discussions.
• We will screen and analyze 3 full films in the Fairhaven studio together as a class.
• Students will complete short written responses to formulate their ideas around the films, readings, and concepts presented in class.
• Students will be expected to attend class, missing fewer than 3 class meetings to receive credit.

S/NX grading; narrative evaluation

Term

Spring 2024

Course Instructor(s)

Steven Sehman

Course Subject

FAIR